Literature and music (notably that of Franz Schubert) were also
influences but Biedermeier is best remembered today for
architecture and furniture design. The clean and functional style
was an influence on art deco and bauhaus.
The style has enjoyed several revivals, including one in
Scandinavia about 1900. More recently, there has been a Biedermeier
resurgence in the US and Britain, where celebrities such as Oprah
Winfrey, Barbra Streisand and Elton John are noted collectors.
There have been several retrospective exhibitions and
significant pieces are starting to appear at auction with
frightening price tags, especially in America. Biedermeier is now
big in New York. Part of its appeal is that this was perhaps the
first style to be designed for apartment living - in Vienna and
Berlin rather than Tribeca.
It has also taken off in a smaller way in Australia where a
growing band of collectors is seeking out what few pieces can be
found here. Gordon Brown from the ABC1 series Collectors
highlighted Biedermeier in a segment in February last year. The
style is especially popular with designers, architects and
advertising types who appreciate its functional lines and the fact
that it looks modern and light for something that is so old. Most
will date a piece at about 1920 when it is actually 100 years
older.
Local examples of Biedermeier are mostly recently imported but a
few pieces have been sourced here, including a rare suite displayed
by dealers Kent and Sharen Virtanen at the Great Sydney Antique
Fair in Sydney. A complete set is rare enough but this one,
comprising six chairs, a small sofa and matching table, was found
here, possibly brought over by a European family during postwar
migration.
The ebonised columns on the sofa and lyre supports on the table
are classic Biedermeier motifs. The fan-shaped chairs are also a
trademark of the style.
Virtanen has identified the suite as having been made in Austria
about 1820, possibly by Joseph Danhauser. He's valued it at between
$22,000 and $26,000 and thinks it unlikely that he'll ever find
anything this fine in Australia again.
The Viennese Danhauser is one of the landmark Biedermeier
designers; J.F. Schinkel from Berlin is another. Their work is
distinctive enough to be identified from source books, although
copies were made in the Scandinavian revival period at the turn of
the 20th century.
Experts can tell the difference because of the choices of wood
preferred in each region. Birch was especially popular in
Scandinavia. Buyers should check to make sure their original is not
a clever 1900 reproduction.
My collection
Kent Virtanen grew up in Finland, where he was surrounded by
Biedermeier furniture. When he moved to Australia with his wife,
Sharen, they decided to open an antique shop specialising in this
type of furniture (Virtanen Antiques, 933 High Street, Armadale,
Victoria), despite few Australians appearing to be aware of the
style at that stage.
It is only in the past few years that interest has increased,
yet to their knowledge theirs is the only shop that specialises in
the style. But perhaps not for much longer. Kent Virtanen travels
to Europe to buy new stock and is finding less and less each time
he goes.
The Virtanen property outside Melbourne is already a shrine to
the Biedermeier period, along with the couple's other passion, art
deco.
They find that these two styles, made a century apart, blend in
well together and both work surprisingly well with contemporary
furniture.
"You can put a modern coffee table in front of a Biedermeier
sofa and it doesn't look out of place," he says.
$3500
This lyre table was made in Sweden about 1900 as part of the
Scandinavian Biedermeier revival. The lyre support and ebonised
lion's paw feet are trademarks of the style.
$10,000
A flame birch Biedermeier cabinet, made in northern Germany
about 1830. It is a good example of the influence of Berlin
designer K.F. Schinkel. The design is inspired by the Roman and
Greek classical period.
$22,000
This mahogany secretaire is a piece of exceptional quality.
Secret compartments are reached by turning the gilded bronze figure
of Napoleon. It is thought to have been made for an exhibition.
Scandinavian revival examples are still worth collecting, even
if they can't quite match the Central European original at auction.
Because there is now such a demand for this style, especially in
the US, genuine Biedermeier represents a solid investment. The
trick is to find it.
Virtanen has developed strong contacts in the antiques trade in
Europe but says his supplies are steadily drying up. He thinks that
many dealers are now concentrating on the increasingly lucrative US
market.
Occasionally he stumbles on a piece that surprises him. The
secretaire he had on display in Sydney is a rare treasure - so
intricate is the design that he suspects it was made on commission
or as a demonstration showpiece for an exhibition.
It features many secret compartments, with access gained by
turning the gilded bronze figure of Napoleon (perhaps an ironic
statement by the designer).
The balcony is made of hand-turned ivory and the lock has four
tongues, each inscribed in Latin. The key is an intricate
S-shape.
Whatever its history, it is a Biedermeier work of art and it
sold almost as soon as it went on display. The anonymous buyer
happily paid $22,000.
Also worth a look is Melbourne's Bainbridge Fine Furniture in
Airport West, which makes a range of modern bespoke furniture in
the Biedermeier style.